Tolong diterjemahin ya ka.... sophisticated trade account books, while music, dance, and other high levels of aesthetic culture appear in murals painted on the
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royteti22
Pertanyaan
Tolong diterjemahin ya ka....
sophisticated trade account books, while music, dance, and other
high levels of aesthetic culture appear in murals painted on the walls
of vast palace complexes. The most famous palace, the Palace of
Knossos, had beautiful walls made of mud brick and rubble shaped
within a wooden framework that was then covered in a veneer of lo-
cal stone. Certainly the marble constructions of the Cycladic peoples
or the alabaster walls of the Mesopotamians must have inspired the
use of this new material, called dressed stone. After an earthquake de-
stroyed several parts of the palace around 1700 BC, it was rebuilt and
extensively enlarged. This newer palace was multistoried, which was
a newer architectural feature made possible by the relatively light
materials of wood framing and stone veneer used in construction.
Not only did many windowed openings allow light and air into the
internal courtyards, but many stairs, open porticoes, and columned
rooms set at different levels also allowed light and air to circulate in
an unprecedented manner. Organized around a large rectangular cen-
tral courtyard, the palace complex was divided into quadrants loosely
organized into suites of royal apartments, administrative wings, areas
for various social entertainments and religious rituals, workshops,
and vast storage areas that clearly reveal an extremely centralized ur-
ban unit. Wall murals and the various artifacts found on the island at-
test to a beautiful maritime aesthetic and prosperous culture.
Although not obviously fortified, the palace enjoyed an island lo-
cation that was logistically difficult to breach by foreigners and a
complexity of design that defied entry by outsiders not familiar with
the layout of the palace. These are the two features of the palace that
helped to shape the legend of the Minotaur, who lived beneath the
palace and was paid an annual tribute of 14 young girls and boys
brought from the city of Athens, ruled by King Aegeus at the time but
dominated by King Minos of Knossos. One of these sacrificial vic-
tims was Theseus, who went on to free his people from this punish-
ing tribute by navigating the underground labyrinth of the palace to
slay the Minotaur, all the while untwining a ball of silk thread so that
he could then find the exit. Even better known is the legend of the ar-
chitect of the palace, Daedalus. Because Daedalus had designed the
palace, he was not allowed to leave the island of Crete so as not to di-
vulge the secret layout of the palace to foreigners. It was for this rea-
son that Daedalus and his son, Icarus, fashioned wings of bird fathers.
sophisticated trade account books, while music, dance, and other
high levels of aesthetic culture appear in murals painted on the walls
of vast palace complexes. The most famous palace, the Palace of
Knossos, had beautiful walls made of mud brick and rubble shaped
within a wooden framework that was then covered in a veneer of lo-
cal stone. Certainly the marble constructions of the Cycladic peoples
or the alabaster walls of the Mesopotamians must have inspired the
use of this new material, called dressed stone. After an earthquake de-
stroyed several parts of the palace around 1700 BC, it was rebuilt and
extensively enlarged. This newer palace was multistoried, which was
a newer architectural feature made possible by the relatively light
materials of wood framing and stone veneer used in construction.
Not only did many windowed openings allow light and air into the
internal courtyards, but many stairs, open porticoes, and columned
rooms set at different levels also allowed light and air to circulate in
an unprecedented manner. Organized around a large rectangular cen-
tral courtyard, the palace complex was divided into quadrants loosely
organized into suites of royal apartments, administrative wings, areas
for various social entertainments and religious rituals, workshops,
and vast storage areas that clearly reveal an extremely centralized ur-
ban unit. Wall murals and the various artifacts found on the island at-
test to a beautiful maritime aesthetic and prosperous culture.
Although not obviously fortified, the palace enjoyed an island lo-
cation that was logistically difficult to breach by foreigners and a
complexity of design that defied entry by outsiders not familiar with
the layout of the palace. These are the two features of the palace that
helped to shape the legend of the Minotaur, who lived beneath the
palace and was paid an annual tribute of 14 young girls and boys
brought from the city of Athens, ruled by King Aegeus at the time but
dominated by King Minos of Knossos. One of these sacrificial vic-
tims was Theseus, who went on to free his people from this punish-
ing tribute by navigating the underground labyrinth of the palace to
slay the Minotaur, all the while untwining a ball of silk thread so that
he could then find the exit. Even better known is the legend of the ar-
chitect of the palace, Daedalus. Because Daedalus had designed the
palace, he was not allowed to leave the island of Crete so as not to di-
vulge the secret layout of the palace to foreigners. It was for this rea-
son that Daedalus and his son, Icarus, fashioned wings of bird fathers.
1 Jawaban
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1. Jawaban Erniindah1
buku akun perdagangan yang canggih, sedangkan musik, tarian, dan lainnya
Tingginya tingkat budaya estetika muncul dalam mural yang dilukis di dinding
kompleks istana yang luas. Istana yang paling terkenal, Istana Yogyakarta
Knossos, memiliki dinding indah yang terbuat dari bata lumpur dan puing-puing berbentuk
Dalam kerangka kayu yang kemudian ditutupi lapisan es-
batu cal Pastinya bangunan marmer dari masyarakat Cycladic
atau dinding alabaster Mesopotamia pasti mengilhami
Penggunaan bahan baru ini, disebut berpakaian batu. Setelah gempa de-
Menghancurkan beberapa bagian istana sekitar tahun 1700 SM, dibangun kembali dan
diperbesar secara luas Istana yang lebih baru ini bertingkat, yaitu
Fitur arsitektur yang lebih baru dimungkinkan oleh cahaya yang relatif ringan
bahan pembatas kayu dan veneer batu yang digunakan dalam konstruksi.
Bukaan windowed tidak hanya memungkinkan cahaya dan udara masuk ke dalam
halaman internal, tapi banyak tangga, portico terbuka, dan kolumned
Kamar yang berada pada tingkat yang berbeda juga memungkinkan cahaya dan udara beredar
cara yang belum pernah terjadi sebelumnya. Diselenggarakan mengelilingi sebuah cen-
halaman tral, kompleks istana dibagi menjadi kuadran secara longgar
diatur ke dalam suite apartemen kerajaan, sayap administratif, daerah
untuk berbagai hiburan sosial dan ritual keagamaan, lokakarya,
dan area penyimpanan yang luas yang dengan jelas mengungkapkan ur-
ban unit Dinding mural dan berbagai artefak yang ditemukan di pulau at-
uji ke budaya estetika dan makmur maritim yang indah.
Meski tidak dibentengi dengan jelas, istana tersebut menikmati sebuah pulau lo-
Kation yang secara logistik sulit dilanggar oleh orang asing dan a
Kompleksitas desain yang menantang masuk oleh pihak luar yang tidak asing lagi
tata letak istana. Inilah dua ciri istana itu
membantu membentuk legenda Minotaur, yang tinggal di bawah
istana dan dibayar upeti tahunan dari 14 gadis dan anak laki-laki muda
dibawa dari kota Atena, diperintah oleh Raja Aegeus saat itu tapi
didominasi oleh Raja Minos dari Knossos. Salah satu korban korban-
Tims adalah Theseus, yang kemudian membebaskan rakyatnya dari hukuman ini-
upeti dengan menavigasi labirin bawah tanah istana
membunuh Minotaur, sambil mengacaukan bola benang sutra sehingga
Dia kemudian bisa menemukan jalan keluarnya. Yang lebih dikenal lagi adalah legenda ar-
kaisar istana, Daedalus. Karena Daedalus telah merancang
istana, ia tidak diijinkan meninggalkan pulau Kreta agar tidak di -
Ungkapkan tata letak rahasia istana kepada orang asing. Itu untuk rea-
anak Daedalus dan anaknya, Icarus, sayap sayap nenek moyang.